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How will the couple broker that deal if they can’t reveal their identities? And even with no advertisers and no offers on the table, we see Ava and Nathan start spending like the dough is already rolling in, despite their podcast essentially being unprofitable for the length of the show’s first season. The plan is to develop a show so popular that a big podcast network will buy it. But surely that doesn’t mean the cops wouldn’t be trying every possible avenue to track down its creators anyway, and we never get a sense that the authorities are breathing down their necks. Nathan and Ava upload their podcast from an obscure Russian IP address through a VPN, so their identities won’t be traceable. The show’s writers only gloss over a few kernels of info. With the number of their downloads skyrocketing, we briefly see Ava and Nathan consider it, before swatting the dollar signs out of their eyes.īut Based on a True Story eventually becomes snared by all of the inevitable questions surrounding the logistics of their podcast. “All I need is one murder a month keep the show relevant,” the Ripper suggests. The Ripper’s continued freedom is a condition of their participation in the podcast and the agreement to not kill anyone else, and it’s amusingly absurd to see how all three parties have to retool their show as the episodes fly by. Cheering for a fresh murder before making a point to say that you stand with the victims’ families is not exactly unlike the kind of hypocritical posturing on display at massive conventions like Crime Con, which the show spends two episodes satirizing.Īside from the parodying, which doesn’t always land, most of the show’s humor is derived from Ava and Nathan’s interactions with the West Side Ripper, whom they have to treat like a coworker instead of a cold-blooded butcher. Clair and June Diane Raphael) is a particular high point in the show’s lampooning of true crime genre mores. The in-universe fictional show Sisters in Crime (hosted by a very wry Jessica St. That just means tracking down and propositioning the West Side Ripper themself, to make them an offer nobody could possibly refuse: partial creative control on a fledgling podcast.īased on a True Story is quite good at poking fun at its own wild conceit, while giving real-life DIY podcasters an appropriate amount of ribbing. And when the couple’s mutual friend, Matt (Tom Bateman), drops information he has about the killer at Nathan and Ava’s feet, they figure they may as well use it.

sports club is threatened by the incoming popularity of pickleball, has no place to argue. Nathan, whose position as a tennis instructor at a posh L.A. But in order to set their work apart from the deluge of amateur true crime shows, they adopt a novel twist: bringing the murderer onto the podcast, to discuss how and why they did it. Instead of turning the culprit in to the police, Nathan and Ava decide to capitalize on their intel and turn it into a podcast.

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The comedy series stars formidable television vets Kaley Cuoco and Chris Messina as Ava and Nathan Bartlett, a couple on the verge of bankruptcy, who stumble onto the true identity of a murderer terrorizing Los Angeles’ West Side (dubbed “The West Side Ripper,” naturally).

Now, all of those cautionary tales and hysterical sendups have been rolled together in Based on a True Story, which premieres on Peacock June 8. There’s even a new documentary that explores the real-life dangers of becoming desensitized to violent crime. The genre has been parodied in shows like American Vandal and Only Murders in the Building, as well as spoofed in a Portlandia sketch and a Swarm side-story. What was once relegated to a subset of people watching Dateline a little too eagerly has transformed into a massive, multimillion-dollar industry, spanning podcasts, docuseries, books, and some of the wildest Reddit threads you’ll ever fall into on a dark and stormy night.Īlmost as ubiquitous as true crime-obsessed media is the entertainment that skewers it. Society’s fascination with true crime is not exactly covert.

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